*Mae pob dolen yn agor mewn ffenestr newydd
Llyfrau a phenodau:
- Šimić, L. and Underwood-Lee, E. (eds) (2022) Mothering Performance: Maternal Action. Abingdon: Routledge.
- Šimić, L (i ddod 2023) ‘Friday Records: A Document of Maternity Leave’, yn Rachel Colls and Abi McNiven (eds), Time, Temporality and Motherhood, Palgrave Macmillan.
- Šimić, L. ac Underwood-Lee, E. (2021) Maternal Performance: Feminist Relations. Basingstoke: Palgrave.
- Šimić, L. ac Underwood-Lee, E. (2020) ‘Returning to Ourselves: Medea/Mothers’ Clothes and Patience one decade on’ yn Marchevska, E. a Walkerdine, V. (goln) Maternal in Creative Work: Intergenerational Discussions on Motherhood and Art. Abingdon: Routledge.
- Epp Buller, R., Šimić, L. ac Underwood-Lee, E. (2019) ‘The Body in Letters: Once Again, Through Time and Space’ yn Epp Buller, R. a Reeve, C. Inappropriate Bodies: Art, Design, and Maternity Bradford (CA): Demeter.
- Šimić, L. ac Underwood-Lee, E. (2016) Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal Llundain: Live Art Development Agency.
- Radosavljević, D. Rigby, A. a Šimić, L. (2015) The Mums and Babies Ensemble: A Manual Artist Book Lerpwl: The Institute for the Art and Practice of Dissent at Home.
Erthyglau:
- Underwood-Lee, E. (2018) ‘On Openings’ Performance Research (23:4/5)
- Underwood-Lee, E. a Šimić, L. (2016) ‘Back pages 26.4, Performance and the Maternal’ Contemporary Theatre Review 26:3.
- Šimić, L. (2018) ‘Encountering Performing (M)Others: Feminist Maternal Practice in Contemporary Performance’, yn Contemporary Theatre Review, rhifyn arbennig ‘Feminisms’, 28.3.
- Šimić, L. ac Underwood-Lee, E. (2017) ‘On the Maternal – Editorial’ Performance Research, 22.4.
- Šimić, L. ac Underwood-Lee, E. (2017) ‘Manifesto for Maternal Performance’, Performance Research, 22.4.
- Šimić, L. (golgywyd gan Natalie Loveless a gyda Buller, R E, Donoghue, D, Drummond, D, El-Sherbini, Y, Haq, F, Hawkes, J, Irvin, S, Kessel, C, Knowles, H, Lusztig, I, McCloskey, P, Regn, I A, a Richter, S) (2016) ‘Contemporary Mamactivist Artists: A Forum on Maternal Activist Art’, yn Studies in the Maternal, rhifyn arbennig ar The Everyday Maternal Practice: Activist Structures in Creative Work, Summer.
- Šimić, L. (2014) Tudalennau artist ‘Birth Story’, yn Performance Research, 194, tt 24-30
Briffiad Polisi:
Gwefannau/blogiau:
Podlediadau:
Cyfweliadau:
- Šimić, L. (2016) The Institute for the Art and Practice of Dissent at Home: an interview. Cultural ReProducers
- Gingell, Z., Dent, E., and Underwood-Lee, E. (2021) Revisiting the ‘Maternal Attitude’ Conference: Curatorial after thoughts & reflections
Perfformiadau:
- Three Conversations (gyda Neal a Sid Anderson) (2020) drama fer am actifyddiaeth hinsawdd, wedi ei chomisiynu gan Climate Change Theatre Action, perfformiwyd yn rhan o, ac i’w chyhoeddi yn, Lighting the Way CCTA Anthology.
- Kicking Up Our Heels (2019) wedi ei greu a’i gyflwyno yn Ysbyty Great Ormund St gan Brian Lobel ac Emily Underwood-Lee mewn cydweithrediad â Caroline Moore (GOSH Arts), Anna Ledgard ac Emily Speed. Gyda chefnogaeth Cyngor Celfyddydau Lloegr
- Who wants another baby? (2017) ffilm gan yr Institute for the Art and Practice of Dissent at Home, wedi ei chyflwyno yn Žena – trudnica – majka: zelene sfere i nekropolitike / Woman – Expectant – Mother: arddangosfa green spheres and necropolitics yng Nghanolfan Ddiwylliannol Novi Zagreb.
- Medea/Mothers’ Clothes (2004 – 2017) perfformiad hunangofiannol, a berfformiwyd gyntaf yn y Bluecoat, Lerpwl, yn 2004, a’i ail-greu ar gyfer Studio 12, Bratislava, Slovakia yn Chwefror 2016 ac yn y Festival of Ideas ym Mhrifysgol Edge Hill, DU, Mehefin 2017.
- 42 Among the Gormleys (2016) perfformiad mamol safle-benodol (mewn cydweithrediad â theulu ar gyfer pen-blwydd yn 42 oed) Traeth Crosby, Lerpwl, Tachwedd 2016, hefyd yn rhan o arddangosfa Bringing Up the Future yng Nghanolfan Myfyrwyr Prifysgol Zagreb, Chwefror 2017.
- Full Term (2014) ffilm (9 munud) yn rhan o arddangosfa The Egg the Womb the Head and the Moon yn Artsmill yn Hebden Bridge, Mai 2014; arddangosfa 1+1 yn Galerija Kazamat yn Osijek, Croatia, 2014, ac arddangosfa Bringing Up the Future yng Nghanolfan Myfyrwyr Prifysgol Zagreb, Chwefror 2017.
- Friday Records: Dyddiadur ar-lein A Document of Maternity Leave (2014) yn cynnwys delweddau, fideos a thestun, hefyd yn cynnwys Friday Records Live Art Event, perfformiad am famolaeth yn cynnwys testun wedi’i recordio, delweddau, fideo a gweithredu perfformiadol. Dublin Live Art Festival, Oriel MART, Dulyn, Iwerddon, Awst 2016.
- Patience (2009 – 2014) wedi ei greu a’i berfformio gan Emily Underwood-Lee.
- Sid Jonah Anderson gan Lena Simic (2008), perfformiad gyda Sid y babi, yn portreadu llafur beunyddiol mamolaeth, MAP Live, Carlisle.
- Contemplation Time: A Document of Maternity Leave (2007 – 2008) testun a ffotograffau, a gyflwynwyd hefyd fel tudalennau artist n.paradoxa: International Feminist Art Journal, 22, tt. 79-83, 2008.
Ymgynulliadau:
Perfformio Mamol 